Three albums and three distinct groupings in this essential remaster & reissue of two late 60s and one 70s Impulse! albums from saxophonist and composer Archie Shepp, in configurations of septets and nonets with luminaries of the day performing Shepp's rhythm-centric jazz focused on the Afrocentric experience, drawing on blues and spirituals in free jazz settings.

Archie Shepp's second album for Impulse! merges the fire of free jazz with an incredibly eclectic set of styles, his inclusive approach to composition integrating a vast source of styles from Ellington to Ipanema; this is paired with Shepp's octet release, including an epic 20 minute work for American artist Robert Thompson reflecting his paintings in powerful thematic and abstract expression.

Tenor saxophonist Albert Ayler's 1966 quintet brought a unique orchestration to his music, heard in these live performances in Berlin, Lörrach, Paris & Stockholm in November of 1966, four concerts presented chronologically as performed with the exemplary playing of brother Donald Ayler on trumpet, Michel Samson on violin, William Folwell on bass, and Beaver Harris on drums.

Merging and remastering two essential albums from free jazz saxophonist Marion Brown: his 1966 ESP album "Marion Brown Quartet" with trumpeter Alan Shorter, bassist Reggie Johnson and percussionist Rahied Ali; and his 1967 Fontana album "Juba-Lee" in a septet with Reggie Johnson, drummer Beaver Harris, pianist Dave Burrell, trombonist Grachan Moncur III & saxophonist Bennie Maupin.

Released in 1984 on Hal Wilner's Shemp records, this is the 1st reissue for late drummer Beaver Harris' 360-degree Experience with pianist Don Pullen on piano, in a stellar band with saxophonists Ricky Ford, Hamiet Bluiett, bassist Buster Williams, percussion from Candido & steel drummer Francis Haynes, and four french horn players, a truly forward-thinking jazz album.